Preface Photojournalism, at the beginning of the 21st century, finds itself at the proverbial crossroads: Will image-making technologies and public cynicism lead to its demise, or will journalists rise to the challenge by practicing a new, more credible form of visual journalism? From the time of its invention in the early 19th century, photography enjoyed the unparalleled credibility assumed through a mechanistic perception of a neutral, “mirror of nature” camera. By the beginning of the 20th century, photographs were being used as irrefutable evidence of the veracity of their manifest content, a position supported by empiricism, modernism, and the scientific method. Additionally, journalism's deliberate move toward objectivity in mid-20th-century media culture underscored the value of photographic evidence. By the 1960s, photojournalism was flourishing—the 35-mm camera had made the physical challenges of picture taking easier, printing advances had made publication of photographs a simpler matter, and news publications had begun to realize the informational ...
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